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Last Letters, Island of Statues
A Photographic investigation of White Terror
2017 -
Taiwan

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Two chapters, Last Letters and Island of Statues, that made up the work, investigate the phenomenon of societal amnesia, and records stories of individuals and families with hidden memories during the martial law that began in 1949.

Over 150,000 people were arrested, and as many as 4,000 people were executed until martial law was lifted in 1991. Kwok collected the letters that dissidents wrote before their execution, which were concealed from the victims’ families by the government for more than 70 years, never sent, never received and never answered.

 

My most beloved Chun-lan, I was arrested when you were still in your mother's womb, 

Father and child cannot meet. Alas, there's nothing more tragic than this in the world.


 Huang Wen-Kung, 1953

Huang Chun-lan, 66. She discovered her father Huang Wen-kung's last letters 56 years after he was executed in 1953.

The absence of these last letters marks the start of a reality based on distorted memories. This project photographed individuals and families of the massacred, and their replies to the last notes from their late relatives. 70 years fastered forward, the statues of former dictator Chiang Kai-shek remain ubiquitous across Taiwan while the wounds left on victims’ families under that period of authoritarian rule still fester.


The photographs and the archival material speak to the hidden traumas and memories that have been passed on, one generation to the next. Underlying these excavated memories are the absent presences — which leave their traces in the past, present and future.

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In this project, Kwok, originally a reportage photographer expands his practice beyond the witnessing of an event and the documentation of it. The enquiry into a historical subject always implies a re-evaluation of available material from the perspective of the present. Over time this provides the possibility of an iterative feedback loop that can critically reassess the growing and changing historical data, not only from newly generated work and institutional archives but from personal testimonies which are subject to either surface anew, fade from memory or disappear altogether.


                         - Foam Magazine #58, Talent 2021

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Foam Magazine #58, Talent 2021,
Last Letters: A Photographic Investigation of Taiwan White Terror

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Related:

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Museum Collection:
SFMOMA acquired prints from Last Letters!

Just arrived! Happy that some of my prints has been acquired by the San Francisco Museum of Modern Art for their collection! Thank you for the opportunities, and thank you to everyone who has supported me along the way!

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In The Press:

Last Letters on The New York Times,
“Goodbyes in Taiwan arrive decades late”

The letters had only 140 miles to travel, but they would take 60 years to be delivered. When his daughter finally received her father’s farewell after a protracted negotiation with Taiwan’s government, she was in her 60s, twice his age when he died. ‘‘I kept crying, because I could now read what my father had written,’’ said the daughter, Guo Su-jen. ‘‘If I’d never seen his writing, I would have no sense of him as a living person. His writing makes him alive again. Without it, he would live only in my imagination, how I picture him.’’

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Photography Award:
Selected as a Finalist in W. Eugene Smith Memorial Fund!

The W. Eugene Smith Memorial Fund is pleased to announce the list of finalists in the 41st annual W. Eugene Smith Grant for Humanistic Photography. Finalists have also been named in the Smith Fund’s 3rd annual Student category and 24th annual Howard Chapnick Grant, which is awarded to an individual for leadership in any field ancillary to photojournalism, such as picture editing, research, education and management.

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Photography Award:
PHmuseum 2020 Photography Grant,

Main Prize Honorable Mentions

Really excited to be selected as a Main Prize Honorable Mention of Phmuseum 2020 Photography Grant! Thank you Magnum Foundation for all the support along the way in producing this project!

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In The Press:
Artco, issue #321,

A Look Back on The Multi-Format Photography Weekend

Thank you Artco, for their Photo ONE's Diverse Features on my work Last Letters: A Photographic Investigation on White Terror after I won the Best Portfolio Review Award in Photo ONE Taipei!

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Exhibition:
Landskrona Foto Festival 2022,

Sweden

Photography, who is it for? That was the question we set out to explore with the 2022 festival. Monica Allende wanted to reflect on photography’s possibilities to influence positive change in society. The 33 international artists from 19 different countries embraced the theme and used Landskrona’s majestic historical buildings and open spaces to take us on a journey of visual exploration, using mixed formats to narrate a diversity of topics.

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In The Press:

Kulturaustausch Magazine,
issue II +III/ 2023
“In the shadow of the dictator”

Under the regime of dictator Chiang Kai-Shek, tens of thousands of people were arrested and killed in Taiwan between 1948 and 1987. However, the country has never come to terms with the “White Terror”. Photographer H. C. Kwok wants to change that with his pictures by giving the victims a voice.

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Photography Award:
Best Portfolio Review Award,

Photo One 2019, Taiwan

Billy H.C. Kwok's work: Last Letters, A Photographic Investigation of White Terror has been awarded as Best Portfolio in "Photo ONE Taipei : International Festival of Photography and Images in 2019. Solo Exhibition will be held in the Dynasty Gallery.

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In The Press:
PDN, Photo of the Day
Selected as Magnum Foundation Photography and Social Justice Fellow 2018!

Magnum Foundation’s Photography and Social Justice Program expands diversity and creativity in the field of documentary photography through capacity-building and critical explorations of photography and social change.

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In The Poem:
The Full Moon Herald, by Phyllis Klein

It Should Be Me Who is Looking After You

A Poem which is inspired by the project Last Letters: It Should Be Me Who is Looking After You Only the night before execution are they given a pen and paper to say what will be unseen for decades. He takes the pen, writes the message to his unborn child. Before long I will leave this earth. His wife feels their child inside her. All she knows is his disappearance, the emptiness. Alas to be unable to see you, to hug you, to kiss you once The child arrives. Her father is part of a flock of magpies. I am heartbroken, he says. My regret is unending. All she knows is her father is not there. All she knows is nothing. For sixty years she knows not a thing. Until the letter arrives. Another takes his pen, writes a message to his son. On this earth you will never see your father again. His father is a tawny owl on a blue oak branch. This is the saddest thing, he tells him. The son is lonely. You must not forget your father. This man writes to his mother. Your son believes that people who die have a spirit. She feels him near her like a robin flying through an open window. Your son is determined to come to your side every day to keep in touch. She feels the draft of wings on her face. To see your peaceful eyes, to make sure you eat three meals a day. So many days, so many years later the letters arrive. The words fly off the paper to settle on tear drops, tiny lanterns, drifting.

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In The Press:
Foam Magazine, issue #58,
Foam Talent 2021

This year’s Talents present a close, sharp look at one of the most important subjects today: the human condition. While several of the submissions were born out of the Covid-19 pandemic, they offer beautiful, hopeful and refreshing statements on the power of photography to share our experience and – possibly – to effect a shift in perspective.

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In The Press:
Aperture, Fall 2022

The 70th Anniversary Issue

Last Letters (2019), unearthed the words of the thousands of political prisoners killed under martial law, from 1949 to 1987, in letters written—but never delivered— to their loved ones on the eves of their executions. Using archives and official records, Kwok tracked down the intended recipients of these letters, then captured the moment they finally got to read their loved one’s words.

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In The Press:

Le Monde, géopolitique,
“Last Letters: Dans quel monde vit-on ?”

What should we do with Chiang Kai-shek's controversial legacy? In a way, isn't he the origin of what is today the Taiwanese nation? Chiang Kai-shek's legacy remains controversial. Many would like to get rid of the statues representing him here and there.

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Exhibition:
Now Live - Foam Talent 2021| Digital. A Brand new online exhibition!

Introducing a brand new online exhibition celebrating artists shaping the future of photography. Following the award-winning first edition in 2020, Foam Talent Digital is back, liberating the photographs from their frames and taking them beyond the museum walls. The exhibition pushes the boundaries of the medium and explores the outlines of its future form in the digital realm, supported by audio, video and interactive elements.⁠⁠

​ALL IMAGES © 2014-2025 BILLY H.C. KWOK ALL RIGHTS RESERVED.
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